SYNERGY

Pedro S. DE MOVELLAN

SYNERGY

2016

Grey Anodized aluminum, powder coated aluminum,  stainless steel

Max. height: 21 1/2", max. swing: 22"

Signed and dated

Unique

AURORA

Pedro S. DE MOVELLAN

AURORA

2016

Gold anodized aluminum, powder coated aluminum, stainless steel

Table top dimensions: Max. height 16", max. swing 20"

Wall mounted dimensions: Max. offset from wall: 14", max. swing: 20"

Signed and dated

Unique

HARRIER

Pedro S. DE MOVELLAN

HARRIER

2016

Black anodized aluminum, Nickel plated aluminum and brass, stainless steel

Max. height: 17", max. swing: 26"

Signed and dated 

Unique

LUNETTE

Pedro S. DE MOVELLAN

LUNETTE

2016

Brushed aluminum and brass, powder coated aluminum, stainless steel

Max. height of elements: 34", max. swing: 36"

Signed and dated 

Unique

BICORNE (GREEN)

Pedro S. DE MOVELLAN

BICORNE (GREEN)

2016

Grey anodized aluminum, powder coated aluminum, brass, stainless steel

Max. height: 16", max. swing: 20"

Edition Unique variation

Signed and dated

Unique variation of 2

BICORNE (RED)

Pedro S. DE MOVELLAN

BICORNE (RED)

2016

Grey anodized aluminum, powder coated aluminum, brass, stainless steel

Max. height: 16", max. swing: 20"

Edition Unique variation

signed and dated

Unique variation of 2

DIHEDRAL

Pedro S. DE MOVELLAN

DIHEDRAL (GREEN)

2015

Powder coated and brushed aluminum, and stainless steel

Max. height: 17" 

Max. swing: 20"

signed and dated 

unique variation of 2

PISTIL

Pedro S. DE MOVELLAN

PISTIL

2015

Powder coated and brushed aluminum, stainless steel

Maximum height: 22" x Maximum Swing: 23" inches

signed and dated on base

Unique

Maxwell Davidson Gallery presents, C0DE, a solo exhibition of new work by Pedro S. de Movellán. This exhibition features outdoor work on the terraces, indoor works on the tenth floor, and a large-scale installation on the gallery’s ninth floor.

 

The exhibition title refers to de Movellán’s own aesthetic language, the common thread that links his works – each wholly unique – into a cohesive series, and which is visible within the greater arc of his career. Secondly, the genetic code that makes us all who we are is particularly pertinent in de Movellán’s case. The son of an architect and an abstract painter, de Movellan makes work that reflects that unique pairing in his unrivaled combination of precision form and artistic sensibility. Finally, Code references the digital language that the artist taught himself in order to help program his large installation.

 

This installation will be de Movellán’s largest and most complex indoor work to date. Hanging from the ceiling, the installation uses unique computer coding programmed by the artist to operate the fans and lights that accompany the sculptural elements. The work is entirely self-sufficient, made to both generate and define motion. In this case, the LED lights add to the sensation of randomness, both in their chaotic travel attached to the elements, and in their precisely written programming. It serves as the first in a future series in which de Movellán will work more with light control and its cooperation with motion, combining his mastery of the analog world of sculpture with the continually advancing digital realm.

 

For nearly 25 years, de Movellán has proven himself as one of the most talented and progressive kinetic sculptors in the world. This exhibition is de Movellán’s twelfth with the gallery. The artist lives and works in West Stockbridge, MA.

 

 

For more information, please contact Brittany LoSchiavo at (212) 759-7555 or info@davidsongallery.com